| THE ROVING HEADWEAR
DESIGNER: JOHN CALLANAN
Hat
Designer John Callanan spent a few days shopping
the stores in Paris and lent his discerning eye
and headwear expertise, to Hat Life.
The Hat World According to John:
“Brown is the new black - From chocolate
to camel and all shades in between. All of the
accent colors are easy to coordinate with brown,
Turquoise, Hermes Orange, Brick Red and Purple.
There was quite a lot of Kiwi green. Think of
cutting into a brown skinned kiwi and seeing that
dash of green. How refreshing.
Pink was still in evidence, but it was a dusty
rose. Think of a fall garden where the roses are
still in full bloom but the leaves are turning
a shade of dried brown. So romantic.
Turquoise is so chic with brown. This is not
a sky turquoise - but more a Robin egg shade of
blue spotted with brown.
With brown comes animal prints, leopard and
other cats were I evidence.
There was a general reduction in hat department
square footage, but buyers bought deeper into
the styles they purchased.
Hot felt profiles were: Stingy Brimmed Fedoras,
Cloches, Berets and Floppies.
Stingy brimmed fedoras and cloches were trimmed
with buckles, metal or self. Stitching details
was evident, either done directly on the felt
or on the trim.
Some blocked felt bodies had been stitched to
give a cut and sew feel to the felt. I saw a very
nice tie- dyed cloche that caught my eye. Brims
were frequently unwelted for a more casual look.
Berets were everywhere from Mono Prix to Galliano.
This is where buyers bought fantasy colors. Maybe
because they are inexpensive and do not take up
very much display space.
Berets were tucked, pieced and appliquéd
with cut- out flowers. One very popular beret
had a ventilated flower design and was also tucked.
Burtons had it at $19, while Galleries Lafayette
had sold it for $29!!
Large brimmed floppies were also very popular.
These styles have really become the winter substitute
for summer cowboy styles. Some were simply self
trimmed, others had large cut- out flowers. The
large flower was in contrast to the hat color,
but the flower center (be it a button or stitch)
always coordinated back to the color of the hat
body.
Surprisingly, the most exciting floppies came
from an American company. I suspect they were
made for the French market, as I did not see them
while scouting out the US domestic market. One
had a multi-stitched brim and satin flower, so
cute!! The other was a stripped stitched body
in a multi - color wool that had been zigzagged
stitched. See the attachment as it is hard to
describe. Both these hats were fresh and So Salable.
I saw a very nice two- tone floppy hat that looked
very saleable.
Beside blocked felts, menswear inspired cut
and sew walker and rexes were popular in tweed,
but the trim was feminized with feathers and rhinestones.
Trooper styles were available, but in faux fur
rather then rabbit. Lots of colorful cut and sew
boiled wool and fleece was sold with coordinating
scarves and gloves.
I noticed that Mono Prix was doing a nice business
in a simple accordion beret cloche.
Men’s hat departments had expanded in
sqare footage. It looked like Borsalino and Stetson
Europe had the departments sewn up. Felts Ivy
and newsboy caps in beautiful tweeds were on display.” |